Philip K. Dick’s Do androids dream of electric sheep? it is a complex novel that could be considered postmodernist. To a greater or lesser extent, it raises the question of gender, and its structure inevitably exerts considerable influence on how this theme is conveyed.
Dick’s novel is open to a variety of interpretations from a variety of disciplines. However, since its emergence in the second half of the 20th century, it is the ideas loosely revolving around the banner of “postmodernism” that have become a popular means of defining this novel. However, due to its bewildering and diverse complexity, postmodernism as a movement is very difficult to describe. In the mid-1980s there was an academic shift towards postmodernism, partly as a reaction to modernism, although it could also be seen as a response to Marxism. Whereas Marxism tended to view people collectively, Postmodernism emphasized the role of the individual, emphasizing consideration of a person’s gender, race, and sexual orientation, themes that are evident in Dick’s novels.
Several prominent thinkers have highlighted certain trends that they believe characterize the postmodern. Jean-Francois Lyotard highlights the skepticism of postmodernism regarding metanarratives. A metanarrative is an ideological structure that gives legitimacy to certain actions, examples include Christianity, science, feminism, and Marxism. Marxism as a metanarrative would see the eventual overthrow of capitalism by the proletariat; however, the resilience of capitalism justifies postmodernist skepticism with the metanarrative of Marxism. It is ironic, however, that this distrust of metanarratives can itself be considered a metanarrative. Fredric Jameson defines postmodernism as the result of an era of post-industrial capitalism, with multinational corporations now outside the control of national governments. Meanwhile, Jean Baudrillard discussed the way in which image has come to dominate over substance. He highlights the contamination of the real by the ‘simulacrum’, the copy without an original.
The ideas of Lyotard, Jameson and Baudrillard appear within the narrative of Do androids dream of electric sheep? Lyotard characterizes postmodernism by a mood of uncertainty and doubt, a mood that permeates Dick’s novel, escalating as the story progresses, and perhaps culminating in the revelation that the supposedly divine Mercer was only a supporting player. drunk. Jameson’s ideas about the dominance of multinational corporations are evident in the inability of the Western and Soviet governments to legislate against the Rosen Association. The androids Roy, Irmgard, Max, Luba, Pris, and Rachael could be seen as mock Baudrillards, copies without originals, and this could distract us from appreciating the human characters, like Rick, Iran, Phil, and John.
There is a compelling ambivalence between the real and the unreal in Dick’s novel, evident in the notion that the central theme of Do androids dream of electric sheep? it is an exploration of an individual’s response to the universe in which they must live. Unable to remain whole, protagonist Rick Deckard splits and occupies the schizoid half of his split self, operating instead as a machine through denial of his emotions, as if he were an android, while his schizoid self responds emotionally to your environment, however. he still experiences intense anxiety.
In connection with this figurative ‘split’ of the character, various other inhabitants of Dick’s novel, including androids, are depicted as doppelgangers in various facets of Rick Deckard’s personality. Financially, Rick is shown to be the support of their relationship and his partner, Iran, is portrayed as a housewife. However, in terms of any possible differentiation between masculinity and femininity in the novel, it is more fruitful to look at the relationship between Rick, the government’s android assassin (and presumably the story’s hero) and the opera-singing android Luba Luft. Rick begins to question his own humanity when confronted by Luba, who points out that in his ruthless slaughter of androids, he himself could be considered an android, especially since he believes that the defining quality of an android is a lack of empathy, “So “, said Miss Luft, “you must be an android”‘ (p.86). In contrast to Rick, Luba is portrayed as amiable and artistic: she sings Mozart beautifully and is fond of Edvard Munch, ‘Luba Luft…was engrossed in the image before her’ (p. 113). Luba is killed by Rick and Phil Resch, another assassin who also represents a facet of Rick’s character. The protagonist initially assumes that Resch is an android as he has come across an individual with a complete lack of empathy. However, the irony is that Resch is actually human.
a quality Do androids dream of electric sheep? possesses is that it does not present any dominant opinion. Dick’s reliance on literary duplication and heavy use of metaphor ultimately mean that it is very difficult to identify any substitute claims in his novel, certainly one related to gender, which as a theme is somewhat marginalized in the novel. . In this case, masculinity is best understood juxtaposed with its polar opposite, femininity. In Do androids dream of electric sheep? Rick Deckard’s character seems to be inspired by a very particular masculine image, although due to the metaphorical division of his personality and its various manifestations in other individuals throughout the book, it is difficult to arrive at any definitive statements from Dick regarding the man. gender.
