Male voices: 4 types of male voices and their vocal ranges

If you are an aspiring male singer learning to sing well, determining your voice type is necessary because voice type gives you an idea of ​​your working or singing range. Consequently, identifying your voice type helps you choose what types of songs you are most likely to be able to sing and defines where your limitations are.

Most of us may only have heard of the tenor, bass, and baritone voices, so the countertenor voice, when you’re new to the classical realm, may seem unfamiliar to you. The truth is that the countertenor voice type is similar to the female contralto voice, which is the lowest female voice type. This is roughly anywhere from a G note below middle C (G3), to a high F note an octave higher than middle C (F5). For the countertenor, tessitura is the most comfortable singing range for them, which is above tenor and other adult male voices. Countertenors are usually able to sing the high notes of the lead voice with brightness in tone and great ease, often misunderstood for normal female voices.

Tenor, on the other hand, is the highest male vocal type most of us are probably most familiar with. The usual tenor vocal range remains between C one octave lower than middle C (C3) and C one octave higher than “middle C” (C5). The tenor can also play high notes with such ease and vocalize the notes of the lead voice with brilliance and force. Going into his middle voice just above the note D or E above middle C (D4 or E4), the tenor changes to the leading voice just above the F sharp or G higher than middle C (F4 or G4). The tenor range is between the countertenor and baritone voices.

The baritone is the type that most men would be classified as, as it is the most common among male voice types. In general, you can find a baritone voice range between the note flat, an octave below middle C (A-flat 2), and the note flat above middle C (A-flat 4). The transition occurs in the middle voice anywhere around the note A or B just below middle C (A3 or B3), and then goes to the lead anywhere between the tenor range and the bass range, which makes the baritone type stronger in the midrange tones.

Bass is the lowest of the male vocal types. Also, finding a good bass voice is quite rare, so it is highly demanded in choral singing and a cappella group singing. Being strongest in its low voice, the bass also has a booming deep and dark voice quality. His vocal range, from the note F an octave just below middle C (F2), to the note E just above middle C (E4), and he would also have a lower tessitura than a baritone. This would probably transition from chest voice to middle voice somewhere near the note A or A flat, just below middle C (A3 or A Flat 3), after which it switches to head voice at somewhere around the note D flat just above the middle. C (D flat 4).

Learning to sing is not as easy as it seems. She must understand the complete basics of singing before going on stage to avoid embarrassing mistakes during her performance.

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